Day Of The Dead – Memento Mori Brought To Life

You could leave life right now. Let that determine what you do and say and think.

Marcus Aurelius, Meditations 2.11

Day of the Dead

It’s the Day of the Dead. Big day in Mexico. The tradition goes back to Aztec times and honors the goddess Mictecacihuatl, “Lady of the Dead,” but the Spanish priests cleaned it up and moved it from midsummer to autumn to make it coincide with All Hallow’s Eve and All Souls’ Day.

The Mexicans, they don’t mind talking about death… They don’t try to keep it at arm’s length. They’re tight with death, intimate with it. They keep their dead close to them. On El Día de los Muertos, the living go to visit the dead. They cook elaborate dishes and take them to the cemeteries and sit down and share a nice meal with their dearly departed.

Shit, Art thinks, I’d like to share a nice meal with my living family. They live in the same city, occupy the same physical space and time, and yet somehow we’re all on separate planes of existence.

This is Memento Mori in action—not just a reminder that life is short, but a call to live fully and cherish the time we have with loved ones.

Festival de Calaveras

Posada’s work was a constant reminder of death, captured in his quote:

Todos somos calaveras — We are all skeletons.

A similar sentiment is echoed by the Stoic philosopher Epictetus, as referenced by Marcus Aurelius in his Meditations (4.41):

You are a little soul carrying around a corpse.

Both remind us that no matter how different our lives are, we all share the same fate.

Posada’s skull-themed prints often accompanied calaveras literarias—short, humorous poems resembling tombstone epitaphs that playfully mock the living. These compositions further demonstrate the close, even jovial, association to death of those celebrating the Day of the Dead.

After reading some examples, you might even have some fun trying it yourself:

Mezcal Worm
No more will he burrow
No more will he squirm.
He’s not underground,
Which is bad for a worm.
But don’t be too sad,
Let no frown cloud your face.
Believe me, he’s gone to a happier place.

La Calavera Catrina

One of the most famous icons of Día de los Muertos is La Calavera Catrina, originally created by Posada as Calavera Garbancera, a skeleton wearing an elegant European-style hat. It satirized Mexicans who imitated European fashion, forgetting their roots.

La Calavera Catrina
Posada’s Calavera

Later, Diego Rivera featured Catrina in his 1947 mural Dream of a Sunday Afternoon in Alameda Park, cementing her as a symbol of Día de los Muertos. Today, her image is everywhere—painted faces, sculptures, and decorations all celebrate her legacy.

Embracing Life Through Death

Skulls, poems, festivals, and murals—many cultures go to great lengths to remind themselves of death while honoring the dead. But instead of being grim, the celebrations are joyful, colorful, and full of life.

Memento Mori isn’t about fearing death. It’s about remembering that life is fleeting, so we should make the most of it. Enjoy the time you have. And don’t wait until it’s too late to share a meal with the people who matter.